Ethereal and feminine. Innocence within power.
This is the female image of the Danish brand CECILIE BAHNSEN.
MATCHESFASHION held their first solo exhibition in Tokyo, having the Danish womenswear designer Cecilie Bahnsen as their guest designer.
Lula JAPAN interviewed her and asked her on the prospects of her eponymous label and her creations.
What do you draw inspiration from?
I used to work in both London and Paris before and I think that kind of couture influence has a lot about romance and details, and that has influenced me.
Then, I also have my Danish heritage, like my minimalistic functional side.
So I always try to combine those two things.
Your clothes have this femininity and romanticism into it that it is quite translucent and we can also see that through its material.
What led you to become interested in fashion from such an early age?
At an early age, being surrounded by that kind of beauty constantly was like a dream to me.
I think that for me it was really a dream and I saw people creating this universe of creation.
And then also, I wasn’t the best at school so that was a starting point.
Then working in both London and Paris, and through that, you can learn the toughness of this business.
It is also the ambition and the drive that keeps pushing yourself to make it better every season.
As a continuation of your SS19 collection, you have released a capsule collection for MATCHESFASHION earlier this year.
Is there any specific thing that you were inspired of?
What we really wanted to do for that collection, was to create 15 beautiful dresses that would stand like art pieces on their own.
And to have their own history.
So the fabric for each piece was uniquely designed for Matches in a unique colour.
I always loved black and white but I think MATCHESFASHION is all about colours.
And I think the MATCHESFASHION girls like to wear it, so it was really important for me to bring the blue, the yellow and the green.
So it was kind of a challenge for me to work on something colourful.
But I think it became really strong and all colours have their own rights.
I think there is a very mutual understanding of each other’s aesthetic.
We can see those features on your collaboration with SUICOKE.
The shapes and the colours are very masculine, but then you added those little details that embodied femininity in the form of flowers.
Could you tell us more about it?
I brought a pair of SUICOKE sandals for myself on the first time I was in Japan, and I loved to wear them with the dresses.
And it just felt comfortable and utilitarian and easy.
When I approached them, they were really surprised about it, and it was that surprise that really worked.
Because we didn’t know we could combine these two worlds.
It is a collaboration that has really grown and it was nice because now we’ve done it for a whole year with every collection.
You have also mentioned that your brand is about the strength of girls and women supporting each other.
What would it be your dream collaboration/ project?
With collaborations, we always try to keep doing things that gives us a contrast.
We are looking again to do something with contrast for our Winter collection, so that it surprises the people a bit.
I can’t say too much yet but I think it is always about the surprise of something that it is quite differently aesthetically but that always having the same quality.
Are you working on any new project?
Yes, we have just started to work on our Autumn Winter collection that we are going to show in January.
It won’t be just dresses but also we will have the perfect coat and other things.
I think it will be really about layering and beautiful knitwear and all those things that we are already known for, but adding these new elements.
Cecilie Bahnsen:
Danish fashion designer with an MA at the Royal College of Art in London.
After graduating from the Danish Design School in 2007 she worked as an assistant for CHRISTIAN DIOR in Paris as well as for ERDEM.
While creating the look and selecting materials for her collection, Cecilie focused on achieving an effortless feel and a style that would radiate wearability.
She worked with soft layering of materials and a strong focus on techniques and fabric combination.